![]() ![]() ![]() More Color Rendering presets & preferencesĬolor Chrome Effect and Color Chrome FX Blue features in the Fujifilm X-T4 manual.Ĭolor Chrome Effect, Color Chrome FX Blue and Monochrome Color can be simulated by other means through other palettes in the current version of DxO PhotoLab, but I’d like to see integration of these in-camera settings into future versions of the software. I haven’t tried out this apparently improved crop function yet but I’m looking forward to doing it soon. ![]() I’ll be adding some of the Fujifilm GFX 100S‘ aspect ratios as well as some panoramic movie aspect ratios too. I want to shoot more panoramic figure-in-cityscape portraits and DxO’s DeepPRIME feature produces such fine results that Fujifilm X raw files bear up well when blown up large and third-party software like Topaz Labs Gigapixel AI makes for even bigger blow-ups of good enough quality for printing and reproduction. I’d love future Fujifilm X System cameras to have a wider range of aspect ratios like the Fujifilm GFX System cameras do, but for now I’ll be setting up more custom crop ratios in DxO PhotoLab now that it is easier to do that. To date I’ve mostly stuck with the Fujifilm X Series cameras’ default 2:3 aspect ratio but I’ve been wanting to add some of the aspect ratios I loved working with in my analog days when I had Sinar Vario and Sinar Zoom 120/220 roll-film magazines for my 4″x5″ sheet film cameras. Screenshot from online manual available as PDF or HTML. Image found on ebay.įujifilm GFX100S aspect ratios options. The Zoom was preceded by the Vario and succeeded by the Zoom 2. Instruction manual for Sinar Zoom, 67, 69 and panorama 120 roll-film magazines for 4″x5″ sheet film cameras. I’ve encountered photographers who have so disliked the colour and tone rendering from X100 and X-Pro series cameras released after the X100 and X-Pro1 that they’ve bought and stored backups for these older cameras for when their original ones stop working.ĭxO, please add X-Pro1 and X100 profiles to those in the Color Rendering palette’s Camera Body category and do the same for the legendary Fujifilm S3 Pro and S5 Pro please. ![]() One of the joys of DxO PhotoLab is its ability to process raw files from one camera to look as if they came from another, an example that I tried today being an X-Pro2 raw file processed to look like it came from a Leica SL2.Īs with the X-Pro1, many owners of the Fujifilm Finepix X100 came to prefer its colour rendering over that of its successors and I’d love to have an X100 camera profile when I want to apply it to raw files from other cameras. The lens is still available while the camera is discontinued. The rendering from the X100 and X-Pro1 is reportedly more analog-looking than that of their successors.įujifilm S5 Pro digital single lens reflex with Nikon F mount and Nikon AF Nikkor 50mm f/1.4D lens. There are no X100 or X-Pro1 camera profiles yet despite DxO creating them in order to process their raw files.
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